Talks & Masterclasses & Workshops
To look at directing as a translation of reality in the Benjaminian sense of translation. Salomé in Extinção uses excerpts from Kapuscinski, in Ouro e Cinza (in development, script’s first draft) she used many literary sources for writing, and the dialogues are literary. In Fatamorgana she uses citation. In the masterclass, we can follow Salomé Lamas’ process and see how literature and cinema connect in such different ways.